I do a lot of shows, so I’m constantly coming up with new beats.
#Producer araabmuzik instrumental music plus#
Plus I always like to play new beats on stage, so I have to produce new joints for my stage show. I’ve placed a few beats, but I’ve been on tour so much I’ve been focusing on that more. Like, “You’re now listening to Araab Muzik.” After a few years I added the “Muzik” to “Araab.” I wanted something distinct and memorable. I just ran with it because I didn’t really have a stage name at the time because I was just busy studying my craft cranking out beats. How’d you come up with your name? You’re not Arabic, right? Dre, Pete Rock, Alchemist, 9th Wonder, Hi Tek, DJ Khalil… a lot of them influenced me. I listened to a lot of instrumentals of all genres but as far as rap I’d have to say Swiss Beatz, Dr. Who are some of your influences as far as rap producers? I don’t want any filler tracks on my beat CDs, just heat. A lot of up-and-coming producers and even established ones will have like five crazy beats out of a CD of 30. See, I always took my time and made sure every single beat was hot on my beat CDs.
I went by the studio and played him some joints and he pretty much liked all of them, the whole CD of beats. I just didn’t believe it entirely when I was young. Honestly, I never really thought I’d be doing this for a living but something always kind of told me I would. I was always focused on the music and within music I was always focused on the production side. Did you ever have any other goals outside of music? Did you ever want to rhyme? It seems you were a musician since inception. Started banging on those pads and I’ve been doing it ever since. By 12, 13, I was producing tracks on my keyboard and with computer programs like Drum Station. By the time I was six I got my own drum set. I picked up the drumsticks at a very young age-at three years old, actually. Tell us about how you got started with music. After a YouTube clip of him manipulating the knobs and drum pads to produce on-the-spot beats surfaced in 2008, he’s been booking live shows around the world.īefore stepping onstage at the Thompson LES last week, the Voice‘s pick for Best Producer In New York took a second out to discuss his background, his current projects and his future. What’s most interesting about this Providence native is his ability to use his MPC drum machine as an instrument in a live setting. He’s still young, but his production track record is strong-he’s worked on tracks by Tragedy Khadafi, 50 Cent and Vado, as well as the Dipsey reunion track “Salute.” Relying heavy on electronics and hard, frantic drums, he has definitely captured a signature sound.
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Some hungry kid will always figure out how to put a new spin on things his predecessors have already done.
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